Cambridge School Shakespeare

Weaknesses plague most student editions of Shakespeare. They spend too much space dissecting the language and interpreting what Shakespeare means instead of helping students find meaning themselves. In addition, perhaps because this is the type of learning typical in schools, they make studying Shakespeare a dry exercise completed in a chair. The Cambridge School Series avoids these traps, however, and is the best tool I have encountered to help me teach Shakespeare. Each play in the series begins with a letter by editor Rex Gibson explaining the purpose of these editions. He writes:

This Julius Caesar aims to be different from other editions of the play. It invites you to bring the play to life in your classroom, hall or drama studio through enjoyable activities that will increase your understanding. Actors have created their different interpretations of the play over the centuries. Similarly, you are encouraged to make up your own mind about Julius Caesar, rather than having someone else's interpretation handed down to you.

Gibson actually does enable students to make up their own individual minds about what each play means instead of handing down an "expert" opinion. He does at times explain different ways people have viewed the play, but only as an opening for a discussion where readers can decide on their own interpretation. The activities also do "bring the play to life" by making the study of a play an active enterprise, helping students experience Shakespeare as Elizabethans originally did. In Renaissance England no one read Shakespeare's plays. Well, the actors might have, but it was en route to memorizing and performing them. The audience heard and saw. To fully experience Shakespeare today, I think it is necessary to watch movies or plays, read them aloud, memorize and perform selections from them, and do a variety of activities designed to help you contemplate them. The Cambridge School editions have made it easy for me and my students to get better acquainted with Shakespeare. Last year I taught 13 students As You Like It, Macbeth, and King Henry V, and I'm currently teaching Julius Caesar to my two daughters and niece. The series has been invaluable for me, reducing my preparation and research time as I have prepared to teach each play.

Some features of the editions I like are:

• Extensive photographs of real productions of the plays in both color and black and white. This enables students to see that every director has interpreted the play differently, so of course every reader can.
• Brief summaries of the action on each page to help the student understand the action. Plays with longer summaries tend to interpret the play in the process, in my opinion, leading the student to think only one interpretation is correct.
• Essays in the back that provide background information and discuss characters, imagery, Shakespeare's language, major themes, critics' reactions to the play, and performances of the play from Elizabethan times to the present.
• An unobtrusive glossary of difficult words. This way students can look for the meanings if they want, but it doesn't interrupt the flow of reading if they choose not to. I find that sometimes I understand less of the action if nearly every word is prominently defined and displayed.
• Activities to go along with the action of the play on the left-hand side of every page. These include discussing, acting, writing, drawing, designing sets or costumes, miming, and pretending you are a director making decisions about how to stage the play.
• Writing assignments that go beyond literary criticism. Some of the writing topics seem like traditional English class assignments, but others involve other types of writing: for example, writing additional scenes, promotional material for a "production" of the play, a letter from one of the characters to another, a poem to accompany part of it, and a scene recast as a chapter in a novel. Students can gain experience with creative writing, summarizing the action of the play, letter writing, and imitating Shakespeare's style in addition to structured expository writing.
• I habitually spend time on a never-ending quest for the perfect curriculum for every subject. When I do find something ideal, I feel like broadcasting it to everyone I know. Cambridge School, my best discovery in years, should be on everyone's homeschool high school essential list.